Reviews
“The new opera season started out for me far from Lincoln Center's madding crowds… (a) fascinating program, which was performed lovingly by New Camerata Opera…The cast brings out the comic elements with aplomb…
September 22, 2022 - BroadwayWorld.com - on Faust et Hélène and L’heure espagnole
“An ingenious pairing of two post fin-de-siècle works for voices and full orchestra receives a sparkling production…an exhilarating realization of the vast music being made available to the intrepid audience outside the borough of Manhattan.”
September 21, 2022 - TheaterScene.net - on Faust et Hélène and L’heure espagnole
“New Camerata Opera took innovation one step higher by presenting four performances of Cav + Pag, an innovative adaptation of the two operas into one complete ninety-minute work.”
September 25, 2021 - Opera News - on Cav + Pag
“With a themed cocktail box, a program that doubled as a coloring book, and incredibly performed operatic arias tied together with a silly, lighthearted story, The Brooklyn Job (directed by Sarah Morgan Ashey) provided me with a thoroughly enjoyable evening… “The Brooklyn Job” stole my heart.”
June 22, 2021 - The Theatre Times - on The Brooklyn Job
"There was a general excitement in the air. This production was a big win for New Camerata Opera and those involved"
October 17, 2019 - OperaWire - on - El barbero de Sevilla
“All in all, this was a gripping performance of The Rape of Lucretia. It’s not an opera you can enjoy, but it is one that will stick with you when the execution manages to navigate some of its more problematic aspects. Under Goodwin’s direction, New Camerata Opera’s rendition of the work does just that and more.”
May 10, 2019 - OperaWire - on - The Rape of Lucretia
“The New Camerata singers were exceptionally good, personality and drama characterizing their delivery, the power of their vocalism easily filling the theater.”
Dec 1, 2018 - Parterre - on - Venus & Adonis / Savitri
“Undeniably first-rate.”
Dec 12, 2018 - Operawire - on - Venus & Adonis / Savitri
“ [Conductor] Stephan Fillare…found much success here, leading a tight performance and finding the balance between moments of musical clarity and the richly constructed murk that forms the basis of the piece’s sonic world.”
November 30, 2017 - New York Classical Music Review - on - Savitri